Einar Rinne as Scaramouche
(© Finnish Theatre Museum Archive)
We are delighted to annouce the publication of a comprehensive article by Eija Kurki about Sibelius’s ballet-pantomime Scaramouche (1913, text by Poul Knudsen). This article is based on extensive new research and gives a detailed account of the historical background, the genesis of the music, its performance history and much more. A full list of sources is included.
Eija Kurki D. Phil. published her dissertation Satua, kuolemaa ja eksotiikkaa. Jean Sibeliuksen vuosisadan alun näyttämömusiikkiteokset (Fairy-tale, Death and Exoticism. Jean Sibelius’s Theatre Music from the Beginning of the 20th Century) in 1997. She has written numerous articles in various specialist publications both in Finland and internationally (e.g. Sibelius Studies, Cambridge University Press 2001).
The article is an expanded version of the essay published in Sibelius One’s Magazine in January 2020.
Robert Layton at the 2010 Sibelius Conference
at his alma mater, Worcester College Oxford.
It is with great sadness that we record the death of the musicologist and distinguished Sibelius expert Robert Layton.
Robert Layton studied music at Worcester College, Oxford, under Edmund Rubbra and Egon Wellesz and went on to study at the universities of Uppsala and Stockholm. For much of his long career he worked for the BBC, giving talks and producing concerts. He also wrote reviews for Gramophone magazine and was one of the authors of the renowned Penguin Record Guide alongside Ivan March and Edward Greenfield.
Robert Layton’s excellent ‘Sibelius’ volume in Dent’s Master Musicians Series
He was known for his love of Nordic and French music, and was a distinguished expert on composers including Sibelius, Nielsen and Berwald. His Sibelius volume in Dent’s Master Musicians Series (1965, rev. 1978) has remained one of the most insightful, readable and most frequently quoted introductions to Sibelius’s music, and his three-volume English translation of Erik Tawaststjerna’s Sibelius biography is an indispensable contribution to Sibelius scholarship. In recognition of his work he was awarded the Sibelius medal and became a Knight of the Order of the White Rose of Finland.
Layton’s sense of humour was often understated but sophisticated and very keen. Seemingly embarrassed once by the clonking of some wine bottles in his bag as he arrived at a concert in Helsinki’s Kallio Church, he immediately remarked: ‘I always feel a little embarrassed taking wine into a church – but I don’t see why I should be; after all, they do dispense the stuff.’ His knowledge and wisdom will be greatly missed.
2 May 1930 – 9 November 2020
Minutes of this year’s Zoom AGM and accounts are available in the Members’ Area.
Click here for direct link to minutes (you must be logged in to access this page).