Original version of the Fifth Symphony published

JSW-cover

The score of the original four-movement version of Sibelius’s Fifth Symphony has been published for the first time in Breitkopf & Härtel’s ongoing JSW Complete Works critical edition.

Sibelius completed his Fifth Symphony for the concert arranged to celebrate his 50th birthday on 8 December 1915. The reception of the symphony was very positive, but nonetheless Sibelius revised the work twice: first for a concert arranged in Turku exactly one year later, and then again in 1918–19. The present volume contains the 1915 version. The autograph score of the version is lost, but the orchestral parts survive and the score in this volume has been reconstructed from the parts.

The volume is edited by JSW editor-in-chief Timo Virtanen.

SON 641 · EAN: 9790004803967 · Price €187.00
Further details and order information: https://www.breitkopf.com/en/work/6198/9790004803967/complete-works-jsw

Sibelius at BBC Proms 2026

BBC Proms promo image

Sibelius is represented at the BBC Proms 2026 by only two works – the Violin Concerto and Second Symphony, both perennial favourites. They are conducted by two of Finland’s foremost conductors and the soloist in the Violin Concerto won the International Jean Sibelius Violin Competition in 2025.

The Proms season runs from 17 July until 12 September. General booking opens on 16 May. Every Prom will be broadcast on BBC Radio 3 and BBC Sounds and many will also be broadcast on BBC TV and iPlayer.

Tuesday 21 July 2026 / 18:00 / Royal Albert Hall
Betsy Jolas: Tales of a Summer Sea (UK premiere)
Jean Sibelius: Violin Concerto in D minor
Richard Strauss: Also sprach Zarathustra
Sueye Park, violin
BBC Philharmonic Orchestra / John Storgårds

Tuesday 28 July 2026 / 19:00 / Royal Albert Hall
Mark‐Anthony Turnage: Festen Suite (UK premiere)
Benjamin Britten: Cello Symphony
Jean Sibelius: Symphony No. 2
Guy Johnston, cello
BBC Symphony Orchestra / Sakari Oramo

More information: https://www.bbc.co.uk/proms/events/composers/691b0e9d-9e57-41cf-932d-a3d21b068e75

Sibelius Snookered and the Spice Sibelius

New and exclusive from Sibelius One, released 1 April 2026:

Sibelius Snooker Ball Set

snooker balls

Hone your skills at cue sports, experiment with synaesthesia while at the same time enjoying your passion for the music of Sibelius with the limited edition Sibelius Snooker Ball Set, from Sibelius One!

The cue ball is silent but each of the coloured balls plays a note from the musical scale. Hit them in the right order to recreate your own Sibelius masterpiece! (Flat and sharp notes can be adjusted via a phone app.)

Warning: strike the balls in the wrong order and the resulting music may not sound like Sibelius.


Sibelius Pepper Mill

Sibelius pepper milli

Combine your love for well-seasoned food with your respect for Sibelius with the limited edition Sibelius Pepper Mill, from Sibelius One!

Turn Sibelius’s head to grind the pepper, which emerges from his feet. The head is removable for the purposes of refilling. The action of turning the head activates a mini-loudspeaker that plays the Musette from King Christian II.

A spring-loaded mechanism automatically returns the head to the default position after use.

Click here for order information.

Discography updated 21 March 2026

Our Sibelius discography has been updated. To download the latest version (free of charge) please click here: Sibelius_Discography_20260321. More information on this project and other new release listings: click here for our Discography and Recordings page.

Sibelius One Magazine, January 2026

Sibelius One Magazine 202601 cover

Sibelius One’s January 2026 magazine has been published and  is currently being sent out to subscribers. Articles in this issue are:

  • Sibelius as a Representative of the Finnish Right in the 1920s and early 1930s
    Veijo Murtomäki
  • Sibelius at 160: Torchlight Procession in Järvenpää
  • The Mystery of Jean Sibelius’s Eighth Symphony  David Revilla Velasco
  • A Day in Western Uusimaa  Folke Gräsbeck
  • First Impressions (Lahti 2025)  Frank Cross

Please see our Magazine page (click here) for subscription information.

New Year Quiz 2026: Sibelius General Knowledge

Sibelius One New Year’s Quiz 2026

Try our Sibelius General Knowledge quiz – 25 questions on a wide range of topics related to the composer. Free and open to all! Click here for the quiz – good luck and Happy New Year 2026.

Järvenpää gains official status as Sibelius’s home town

Ainola
Sibelius’s home, Ainola, in Järvenpää. Photo: © Sibelius One

The city of Järvenpää is commencing a collaboration with the Sibelius estate at the beginning of 2026. Thanks to the agreement, announced on 8 December 2025 (the 160th anniversary of Sibelius’s birth), Järvenpää will be able to market itself as the official home town of Sibelius. The city also has permission to use the official, internationally registered Jean Sibelius trademark in its communications and marketing. The agreement is valid until the end of 2028, and the intention is to extend the three-year agreement when it expires.

The city of Järvenpää has of course been the de facto home of Sibelius for more than a century; he moved into his home Ainola in 1904. The city did not previously have an official agreement with the Sibelius family concerning the use of the Sibelius brand, however, and if the brand was used, it has previously been by separate agreement with the heirs.

Sibelius Museum acquires the Pieraccini Collection

Sibelius Museum
The Sibelius Museum
(photo: Miro Rein [cropped], Creative Commons Attribution-Share Alike 4.0 International)

The Åbo Akademi University Foundation has acquired the world’s largest private Sibelius collection from the Rolando ja Siv Pieraccini Foundation. It will become part of the collection of the Turku-based Sibelius Museum, part of the Åbo Akademi University Foundation. The Jean Sibelius collection, comprising 239 items, is unique in both its content and its scope.

The Italian-born publisher, bibliophile and patron Rolando Pieraccini, who has lived in Finland since 1975, began collecting Sibelius material in 1965 when he purchased a hand-written letter by the composer. Today, the collection consists of 239 items: letters, printed sheet music and manuscripts, photographs and other documents. Most of Pieraccini’s Sibelius collection consists of letters from the composer to his German publisher Robert Lienau, who played a central role in bringing the composer’s works to international attention.

Letter from Sibelius to Walter Legge
Letter from Sibelius to the record producer Walter Legge, 1935

‘It is wonderful that an organisation that values Pieraccini’s life’s work – the valuable Sibelius collection that is linked to our national cultural heritage – is taking on the collection and that it will become part of the Sibelius Museum’s collections. It has also been important to Rolando Pieraccini that the collection remains in Finland,’ says Juha Viertola, chairman of the board of the Rolando and Siv Pieraccini Foundation.

The Sibelius Museum in Turku is a music museum of both national and international significance. Jean Sibelius, who granted the museum the right to use his name in 1949, plays a central role in the museum’s activities. The museum’s Sibelius collection – one of the largest of its kind – is well known and widely used by researchers.

The foundation for the museum’s Sibelius collection was laid by a bequest from Baron Axel Carpelan to Åbo Akademi University and by the purchase of the Sibelius manuscripts acquired by the author Adolf Paul. The collection has since grown through further donations and purchases. The Pieraccini collection is a comprehensive and valuable addition to the Sibelius Museum’s collection.

‘The Sibelius Museum’s Sibelius collection has a history spanning almost a century and, over the years, has served researchers, musicians and the general public through the museum’s collection service. Rolando Pieraccini has made a significant cultural contribution through his collecting, and the recent acquisition of Sibelius material strengthens the national and international significance of the Sibelius collection. This also contributes to the work of developing the museum’s permanent Sibelius exhibition,’ says museum director Teemu Kirjonen.

Cultural work is an important part of the activities of the Åbo Akademi Foundation. Since 1917, the Åbo Akademi Foundation has supported scientific research, academic education and culture in Swedish in Finland. ‘Strengthening the collections named after Sibelius in the Sibelius Museum with material relating to our internationally recognised national composer, which also represents our country’s Swedish-language cultural heritage, is entirely in line with the Foundation’s purpose. The timing is also perfect, as the Sibelius Museum is now preparing for its centenary in 2026’, says Lasse Svens, treasurer at the Åbo Akademi Foundation.

Source of text and letter to Walter Legge: Stiftelsen för Åbo Akademi press release

 

The Maiden in the Tower – US premiere

The Maiden in the Tower - screenshot

In April 2025 the US premiere of Sibelius’s opera The Maiden in the Tower took place at the New England Conservatory’s Jordan Hall. It was performed in concert by Maria Bozich (the Maiden), Roy Hage (the Lover), Joel Balzun (the Bailiff) and Whitney Robinson (the Chatelaine) with the Faculty Recital Orchestra and Chorus of New England Conservatory conducted by Joseph Bozich.

Sibelius One member Kathleen Roland-Silverstein, whose performance guide to the songs of Jean Sibelius is currently in preparation (Oxford University Press), served as language coach for this production.

A recording of this ground-breaking performance can now be seen on YouTube: https://youtu.be/KzuYZ2DtKyA?si=80b2hi1vfTimdsnQ

Joseph Bozich writes about this rarely-heard score: ‘what stands is music neither so elusive as the symbolism of Debussy nor so literal as the realism of Puccini […] As a piece of concert music, […] the composition survives quite well […] while in the opera house its long orchestral interludes may seem out-of-scale with the dramatic action, on the symphonic stage they exhibit balance and beauty in the realm of program music […] the music is serious and compelling, and worth hearing and enjoying live.’