Sibelius One Magazine – July 2022

The new issue (July 2022) of Sibelius One’s full-colour magazine will soon go to press.

Features planned for this issue include:
Lost works by Jean Sibelius  David Revilla Velasco
Sibelius’s Helsinki  A pictorial guide to the city as Sibelius knew it
Jean Sibelius – ‘To the giant of Finnish Music’ Contemporary reports of Sibelius’s 50th birthday celebrations
The Sibelius Society of Japan Shihoko Iino

The magazine will be sent out automatically to subscribers. To subscribe or order a copy, please click here to visit the Magazine page of this website.

JSW Symphony No. 6 review

The critical edition score of Sibelius’s Sixth Symphony has been released in Breitkopf & Härtel’s JSW series, edited by Kai Lindberg. Click here to read our review of this volume.

Jean Sibelius: Complete Works (JSW), edited by the National Library of Finland and the Sibelius Society of Finland
Series I (Orchestral Works) Vol. 7: Symphony No. 6, Op. 104, edited by Kai Lindberg
SON 633 · Price: 140.00 €
156 pages · ISMN: 979-0-004-80368-4

Sibelius at the 2022 Proms

The 2022 BBC Proms will run from Friday 15 July to Saturday 10 September. Sibelius is represented at three concerts, including the Proms début of the Finnish Radio Symphony Orchestra.

Click the links below for more information (BBC website) and ticket bookings.

Prom 34, Thursday 11 August 2022, 19:30, Royal Albert Hall
Anna Thorvaldsdottir: ARCHORA
Edward Elgar: Cello Concerto
Jean Sibelius: Symphony No. 2
Kian Soltani, cello; BBC Philharmonic / Eva Ollikainen

Prom 42, Thursday 18 August 2022, 19:30, Royal Albert Hall
Jean Sibelius: Symphony No. 7
Ludwig van Beethoven: Piano Concerto No. 4
Carl Nielsen: Symphony No. 4, ‘The Inextinguishable’
Francesco Piemontesi, piano; BBC Scottish Symphony Orchestra / Thomas Dausgaard

Prom 52, Friday 26 August 2022, 19:30, Royal Albert Hall
Claude Debussy: La mer
Ralph Vaughan Williams: The Lark Ascending
Thomas Adès: Märchentänze
Jean Sibelius: Symphony No. 5
Pekka Kuusisto, violin; Finnish Radio Symphony Orchestra / Nicholas Collon

Information from BBC website

First performance of Luukas Hiltunen’s Sibelius-inspired symphony

Luukas Hiltunen in Järvenpää

Photo: © Luukas Hiltunen

The first performance of Luukas Hiltunen’s Sibelius-inspired symphony took place on 18 April 2022. It was played by Sinfoniaorkesteri Vivo (the National Youth Symphony Orchestra of Finland) under its chief conductor Erkki Lasonpalo at the Järvenpää Hall.

Luukas Hiltunen took almost eighteen months to complete his Symphony No. 1 for full orchestra, finishing it in June 2020. The score consists of 72 pages, and the work plays for approx. 30 minutes. There are three movements: an Andante espressivo first movement in A minor, a scherzo (Allegretto grazioso) with trio (Moderato assai e sempre espressivo), and an extensive finale (Andante sostenuto). It is scored for 2 flutes (both doubling piccolos), 2 oboes, cor anglais, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, timpani, percussion (snare drum, cymbals and bass drum), harp and strings.

Luukas Hiltunen has listened to the music of Sibelius ever since he was a small boy, and has become familiar with his style of writing music for orchestra. ‘I’m very proud of the finale, it’s definitely the most advanced and complex musical structure I have written so far’, writes Hiltunen, describing it as ‘a musical journey from darkness to light, ending up with a solemn hymn [an original composition, not an arrangement]… an uninterrupted 15-minute whole, almost like a tone poem inside a symphony, without any external source of inspiration. Therefore it comes very close to Sibelius’s En saga, I think; it creates a unique and every time a different imaginary musical journey, a metamorphosis full of themes that develop and continue imperceptibly, with logical transitions between recognizable states of mind (leitmotifs).’ The music is very approachable; Sibelian touches include the use of triplets, syncopated horn writing and the ways he uses the lower strings, and the work has a noticeably melancholic Finnish character, although it does not make use of direct quotations from folk music.

Luukas Hiltunen has previously made arrangements for symphony orchestra of Sibelius’s organ works Intrada and Surusoitto, and a string quartet version of the Scène d’amour from Scaramouche.

Instagram: luukas_hiltunen_musician
Music publisher (Symphony): Universal Edition,
Music publisher (Scène d’amour): Edition Wilhelm Hansen Copenhagen

Jean Sibelelius

New research into the 1865 birth registers in Hämeenlinna has revealed a major error concerning the spelling of the composer’s name.

Some years ago it was pointed out that the order of the composer’s forenames according to the birth records was ‘Johan Christian Julius’ rather than the previously accepted ‘Johan Julius Christian’. The corrected order has been adopted by scholars and authors ever since.

Now it has emerged that the composer’s family name, as presented in the records, was not Sibelius but rather Sibelelius (highlighted in the extract above). This announcement has major implications for all books, recordings and other publications focusing in the composer and his music, all of which will potentially need to be reprinted to reflect the new spelling.

The full page containing the birth record

According to experts from the Finnish Organization Of Linguistics, it is likely that the composer himself initially used the correct form of his name on a regular basis but gradually came to prefer the shorter version around the time he adopted the French form of his forename. ‘Jean är mitt musiknamn’ (‘Jean is my music name’, as he wrote to his uncle Pehr on 31 March 1886).

Nonetheless, the longer version has always been ‘hiding in plain sight’ and sometimes he would sign himself with the original form of the  surname, even in later life.

Sample signature from 1955

Early indications are that the authentic spelling will be used with immediate effect by music publishers and record companies.

The ‘new’ signature on the iconic blue cover of the JSW Complete Works edition

and on CD artwork

Work is also under way to update the Sibelelius One logo.

Further information about the uptake of this new spelling will be reported in due course.

Sibelius Symphonies and Tone Poems with David Nice

10 Thursdays, 2.30–4.30pm on Zoom, starting 28 April 2022

After four in-depth terms on Russian music, one on the Czechs and the most recent on the Hungarians, David Nice’s course covering national identity in music turns to Finland, where one name towers above all the others: that of Jean Sibelius. While he only started learning to speak Finnish aged 9 at one of the country’s first national schools – Swedish was his mother tongue – Sibelius’s musical consistency is absolute, from the early tone poems and the programme symphony Kullervo of the early 1890s through to his turning away from all major works in the 1920s.

We’ll be following the adventure from the bracing early masterpieces through to the supreme concentration of the Seventh Symphony and Tapiola, with excursions to the music of other Finnish composers both contemporary with Sibelius and of later generations. Hopes are high for the kind of special guests who’ve been a feature of earlier courses – among them conductors Vladimir Jurowski, Antonio Pappano and Paavo Järvi; pianists Pavel Kolesnikov and Samson Tsoy; violinists Alina Ibragimova and Josef Špaček; and harpist Jana Boušková.

A wide range of works will be illustrated with excerpts on CD, DVD and YouTube.

‘I cannot recommend these classes highly enough. The classes, all guided by the expert hand of David Nice, comprise discussion, listening to recordings and watching scenes on DVD as well as interviews with internationally renowned singers, conductors and directors who have a particular association with the works being studied.’ – Susan Bullock MBE, soprano and regular class visitor

Fee: £100 for the whole term of ten two-hour classes on Zoom

Email: ASAP to confirm a place


Sibelius Festival Golfo del Tigullio e Riviera 2022 – foretaste

A short series of 3 concerts and 3 lectures – mostly in April with one concert in June – will give a foretaste of the seventh Sibelius Festival Golfo del Tigullio e Riviera (which will take place in September 2022). The festival was held for the first time in 2015 and is dedicated to Sibelius and the music scene in the Nordic countries and northern Europe, with repertoire ranging from late Romanticism to contemporary works. Artistic director of the festival is Federico Ermirio.

Lectures and concerts will take place in Santa Margherita Ligure, Chiavari and Sestri Levante. For further information please click here for click here for event schedule and click here for information about the participants (in Italian).

from Italy:
Trio Gustav (violin, cello, piano)
Iris Faceto, viola da gamba / Dario Destefano, cello
from the USA:
Ambroise Aubrun, violin / Kate Hamilton, viola

Free admission. Info:

New Sibelius ballet by Jorma Elo

Image from the Finnish National Opera and Ballet’s website

Choreographer Jorma Elo’s ballet Sibelius will be performed by the Finnish National Opera and Ballet in March–May 2022, conducted by Olari Elts. The Finnish National Ballet is celebrating its centenary in 2022, and this production at the Opera House in Helsinki forms part of its centenary programme.

According to the Finnish National Opera and Ballet’s website, ‘Jorma Elo’s new ballet is about Jean Sibelius and his creativity, which inspires him to push forward. Nevertheless, his life wouldn’t be possible without Aino – her love, creativity and understanding. Though Jean is the main character, the story is both Aino’s and Jean’s. Their love is at the heart of the ballet, and the audience is shown each character’s point of view. Aino and Jean’s burning love and passion is a constant through the decades, in spite of the obstacles… Jorma Elo explored Sibelius’s work in depth to find the most suitable music for his ballet. Excerpts from several different pieces come together beautifully in a score that follows the composer’s life. Sibelius’s compositions for the stage, which are particularly fitting to the story, are complemented by pieces close to Elo’s heart, such as the Violin Concerto, Symphony No. 5 and Finlandia.’

The ballet traces key moments throughout Sibelius’s long life. A degree of artistic licence has, however, heen applied to some of the events portrayed.

Choreographer Jorma Elo was born in Helsinki in 1961 and danced with the Finnish National Ballet from 1978 to 1984. He made his début as a choreographer in 2000 with The View from Over Here and Blank Snow (Alberta Ballet). Since 2004 he has worked in the USA, becoming a resident in 2010. In 2005 he was appointed as resident choreographer of Boston Ballet. Other companies with which he has worked include the New York City Ballet, San Francisco Ballet, Royal Danish Ballet, Nederlands Dans Theater, Vienna State Opera Ballet and Finnish National Ballet.

Sets and costumes are by the American designer Robert Perdziola, inspired by the paintings of Aino Sibelius’s brother Eero Järnefelt and photos of early 20th century Helsinki. The role of Jean is danced by Tuukka Piitulainen, Michal Krčmář and Henry Grey; Aino is portrayed by Rebecca King, Abigail Sheppard and Violetta Keller.

A total of nine performances are scheduled between 11 March and 14 May.

The ballet’s duration is two and a half hours (including intermission) and ticket prices range from  €20 to €129.

Click here for more information or to buy tickets.