Monthly Archives: July 2020

Sibelius letters at auction (updated)

Two typed letters, signed (‘Jean Sibelius’) in pencil, to Sir Thomas Beecham, and a telegram, were offered for auction at Sotheby’s (Sale L20403).

Bidding in the Music, Continental Books and Medieval Manuscripts auction on 7 July 2020 opened at 2 pm (UK time).

The Sibelius item was Lot 37 and sold for GBP. 1,750, well above the estimate of GBP 1,000–1,200.

Further information: click here

A symphonic tribute to Sibelius

The young Finnish composer Luukas Hiltunen has just completed his Symphony No. 1 for full orchestra. The project took almost eighteen months (started on 22 February 2019, finished on 26 June 2020). The score consists of 72 pages, and the work plays for approx. 30 minutes. There are three movements: an Andante espressivo first movement in A minor, a scherzo (Allegretto grazioso) with trio (Moderato assai e sempre espressivo), and an extensive finale (Andante sostenuto). It is scored for 2 flutes (both doubling piccolos), 2 oboes, cor anglais, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, timpani, percussion (snare drum, cymbals and bass drum), harp and strings.

Luukas Hiltunen has listened to the music of Sibelius ever since he was a small boy, and has become familiar with his style of writing music for orchestra. ‘I’m very proud of the finale, it’s definitely the most advanced and complex musical structure I have written so far’, writes Hiltunen, describing it as ‘a musical journey from darkness to light, ending up with a solemn hymn [an original composition, not an arrangement]… an uninterrupted 15-minute whole, almost like a tone poem inside a symphony, without any external source of inspiration. Therefore it comes very close to Sibelius’s En saga, I think; it creates a unique and every time a different imaginary musical journey, a metamorphosis full of themes that develop and continue imperceptibly, with logical transitions between recognizable states of mind (leitmotifs).’ The music is very approachable; Sibelian touches include the use of triplets, syncopated horn writing and the ways he uses the lower strings, and the work has a noticeably melancholic Finnish character, although it does not make use of direct quotations from folk music.

Hiltunen has been in touch with the National Youth Symphony Orchestra of Finland (Sinfoniaorkesteri Vivo) and its chief conductor Erkki Lasonpalo concerning a possible world première performance.

Luukas Hiltunen has previously made arrangements for symphony orchestra of Sibelius’s organ works Intrada and Surusoitto, and a string quartet version of the Scène d’amour from Scaramouche.

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Music publisher (Scène d’amour): Edition Wilhelm Hansen Copenhagen