Scaramouche: A Comparative Production History (Kurki/Toepfer)

scaramouche-kurki-toepfer-cover-image
Cover photo: Alexander Saxelin as Scaramouche and Eva Hemming as Blondelaine in Scaramouche, directed by Maggie Gripenberg, Helsinki, 1946. Photo: Tenhovaara Studio; Finnish National Ballet

Sibelius’s ‘Scaramouche’: A Comparative Production History of a Tragic Pantomime, 1913–1977

This book, a collaborative effort between Karl Toepfer and Finnish scholar Eija Kurki, describes the historical context for the Scaramouche tragic pantomime created by Poul Knudsen and Jean Sibelius in 1913. The pantomime had numerous productions in various European countries between 1922 and 1977, and the book examines all of them according to all available evidence. The text explains the historical and cultural significance of the pantomime and how it uniquely explores a dark and complex intersection of female sexuality, marriage, and class control of erotic desire. The authors examine productions of Scaramouche from the premiere production in Copenhagen in 1922 to the last major production in Karl-Marx-Stadt, East Germany in 1977, including productions in Finland, Norway, Sweden, Latvia, France, Germany (1927) and Denmark (1950).

The comparative approach to production history, accompanied by many illustrations, allows the reader to see Scaramouche as more than a historical object; it is a historical agent, causing a remarkable array of actions and responses to its themes and strange perspective on sexuality rather than a unifying feeling across languages and eras. The book is innovative in its unprecedented international scope relative to theatrical production history. Few, if any, production histories compare evidence from so many different languages and decades. The reader encounters a huge number of ‘voices’ responding to Scaramouche in media reviews, memoirs and other sources, and therefore understands how productions of the pantomime ‘awakened an avalanche of language’ up to 1977, while since then, though scholars now claim it to be one of Sibelius’s major achievements, it has disappeared entirely from the stage for mysterious reasons that the book attempts to identify.

170 pages, over 100 illustrations.

Click here for Karl Toepfer’s website where you can download the book free of charge.

Sibelius & Saraste

Helsinki Philharmonic Orchestra
Helsinki Philharmonic Orchestra (Photo: © Sakari Viika)

The Helsinki Philharmonic Orchestra under the leadership of its chief conductor and artistic director Jukka-Pekka Saraste has launched the Sibelius & Saraste series, during which all of Jean Sibelius’s symphonies will be recorded as high-quality multi-camera productions. The series will have its international premiere in November on Deutsche Grammophon’s Stage+ streaming service.

The series begins with Sibelius’s Symphony No. 5, which will be performed at the orchestra’s concert at the Helsinki Music Centre on 7 November and broadcast worldwide live on the Stage+ streaming service. The concert can also be viewed on the ARTE Concert video service. In addition to Sibelius’s Fifth Symphony, the  programme includes Lotta Wennäkoski’s Verdigris and Sergei Rachmaninov’s Piano Concerto No. 3 with Nelson Goerner as soloist.

Originally founded in 1882, the Helsinki Philharmonic Orchestra premiered the majority of Sibelius’s orchestral works, often conducted by the composer himself. The orchestra’s chief conductor and artistic director Jukka-Pekka Saraste sees the recording of Sibelius’s symphonies as a natural continuation of the orchestra’s and the composer’s journey together: Sibelius & Saraste is a complete series that aims to achieve the atmosphere of a live concert experience while relating the story of Sibelius’s orchestra to a wide international music audience.’

It has been more than 20 years already since the HPO’s last complete recording of Sibelius’s symphonies. Although more than 60 recordings of the composer’s symphonies have been made, there are only a few high-quality film recordings of his entire symphonic output.

The Helsinki Philharmonic Orchestra is the first Finnish symphony orchestra to be broadcasted on the Stage+ streaming service. The classical music streaming service currently offers concerts by the Cleveland Orchestra and Concertgebouworkest. 

Jukka-Pekka Saraste
Jukka-Pekka Saraste (Photo: © Sakari Röyskö)

All of Sibelius’s symphonies will be performed in concert by the Helsinki Philharmonic Orchestra conducted by Jukka-Pekka Saraste and will be recorded as international multi-camera productions during the years 2023–25. The recorded symphonies will be available for viewing at a later date.

2025 will mark the 160th anniversary of the birth of Jean Sibelius. To celebrate the anniversary, plans are for the Sibelius & Saraste series to be viewable in its entirety in 2025.

Information source: Helsinki Philharmonic Orchestra

Adès conducts Sibelius, 21 November 2024

Thomas Adès

Thomas  Adès (photo: Hallé website)

Thomas Adès will conduct Sibelius’s Fifth and Seventh Symphonies with the Hallé at the Bridgewater Hall in Manchester on Thursday 21 November 2024 at 7.30pm.

Two compositions by Adès are also on the programme: Aquifer, brimming with fluid motifs and rhythms that expand and withdraw as the water would in its namesake geological structure, and Air (Homage to Sibelius), a transformative work first premiered earlier this year. The concert also includes Einojuhani Rautavaara’s Deux Sérénades, a delicately poignant work in two movements. Both Air (Homage to Sibelius) and Rautavaara’a Deux Sérénades feature the acclaimed violinist Stephen Waarts.

Thomas Adès has said of Sibelius’s Seventh Symphony: ‘The music reached a hand inside me and rinsed my nervous system, restored my strength, set me free from that time and place. I think the greatest gift of art is free to us from time and place.’

Programme
Sibelius Symphony No. 7
Rautavaara Deux Sérénades
Adès Aquifer
Adès Air (Homage to Sibelius)
Sibelius Symphony No. 5
Pre-concert- talk at 6.30pm in the auditorium: string players from the Hallé and violinist Stephen Waarts discuss the evening’s programme.

Ticket prices: £17 to £50. Concessions and discounts available
Booking: click here

Leif Segerstam 1944–2024

Leif Segerstam, 2015
Leif Segerstam with the Helsinki Philharmonic Orchestra
in Lahti in 2015
(photo: © Lahti Symphony Orchestra / Juha Tanhua)

The conductor and composer Leif Segerstam has died at the age of 80.

Born in Vaasa, Finland, on 2 March 1944, Segerstam was one of the most versatile musical talents in the Nordic countries. He enjoyed a distinguished and colourful career since 1962, when he made his debut as a violinist. His first conducting appearance came the following year, when he also gained his conducting diploma from the Sibelius Academy in Helsinki. He also studied the violin, piano and composition Sibelius Academy, and continued his education at the Juilliard School of Music in New York.

Segerstam was chief conductor of ORF Vienna Radio Symphony Orchestra from 1975 until 1983, and principal conductor of the Helsinki Philharmonic Orchestra from 1995 until 2007, later becoming its chief conductor emeritus. He was also principal conductor of the Royal Swedish Opera in Stockholm and appeared at the Savonlinna Opera Festival in Finland. He held positions with numerous other orchestras, including the Danish National Symphony Orchestra, and  guest-conducted all over the world. From the autumn of 1997 until the spring of 2013 he was professor of orchestra conducting at the Sibelius Academy. The Nordic Music Committee (NOMUS) awarded Segerstam the 1999 Nordic Council Music Prize, and in 2004 he was awarded the annual Finnish State Prize for Music.

His music-making was sometimes controversial but was distinguished by a fiercely sharp intellect coupled with boundless creativity. In an interview with Bruce Duffie in Chicago, he emphasized that the purpose of music is ‘communication’; ‘music is always reborn when it is relived in the performing moment’.

Leif Segerstam, 1967
The young Leif Segerstam (1967) (Photo: Lauri Kautia. CC BY 4.0)

Segerstam was a powerful interpreter not only of composers such as Mahler and Allan Pettersson but also of Sibelius. He  had an instinctive and profound understanding of Sibelius’s sound world, producing performances that were both monumental and full of inner life. His Sibelius discography was vast and wide-ranging, including not only two complete cycles of symphonies (Danish National Symphony Orchestra / Chandos and Helsinki Philharmonic Orchestra / Ondine) but also a series of rare works and theatre music (Turku Philharmonic Orchestra / Naxos) and much more.

He displayed exceptional creativity as a composer throughout his musical career. He wrote more than 370 symphonies, well as concertos and chamber and vocal music.

Leif Segerstam passed away on 9 October 2024.

Sibelius One AGM 2024

Sibelius One AGM 2023 in Hesan kamari
Sibelius One’s 2023 AGM in Hesan kamari

All members are welcome to Sibelius One’s Annual General Meeting 2024, which will take place at Hesan kamari, Ainola, Järvenpää, Finland at 12 noon on Thursday 29 August 2024.

Members attending the Lahti Sibelius Festival can travel together by train.

We are grateful to Julia Donner and the staff at Ainola for generously allowing us to use Hesan kamari for our AGM.

Click here to download agenda

Sibelius One Magazine July 2024 now being sent out

Sibelius One Magazine 2-24-07 cover

The July 2024 issue of Sibelius One’s magazine is now ready.
Included in this issue:

  • Finnish Folklore in the Work of Jean Sibelius  David Revilla Velasco
  • Sibelius – Pure and Simple – 25 years of the Lahti International
    Sibelius Festival  Andrew Barnett
  • The Sibelius in Korpo Festival 2002–23  Folke Gräsbeck
  • Fake News  Artificial Intelligence writes about Sibelius

Subscribers have been sent their copies of  the magazine. For more about our magazines, or to add the magazine to your subscrciption, please click here.

All our previous magazines (now including the January 2024 issue) are now available for current members to download: click here.

Spagnuolo manuscript at auction

Spagnuolo title

The manuscript for Sibelius’s Spagnuolo is being auctioned by Sotheby’s on 26 June 2024 at 10:00 BST.

Ths manuscript of Spagnuolo for piano, JS 181, is boldly signed (‘Jean Sibelius’). it is a fair-copy manuscript, written in black ink on up to six two-stave systems per page, with bold autograph title (‘Spagnuolo’) at head and signature at end (‘Jean Sibelius’), a few deletions and erasures.

Auction: Books, Manuscripts and Music from Medieval to Modern; Lot 148.

Price estimate: 8,000 – 12,000 GBP

Link: https://www.sothebys.com/en/buy/auction/2024/books-manuscripts-and-music-from-medieval-to-modern/jean-sibelius-autograph-manuscript-signed-of

Jean Sibelius signature

Images from Sotheby’s website