On 8th December 2014 a new element is added to the Sibelian landscape in the composer’s home town of Hämeenlinna: a musical experience park, the first of its kind in Finland. In the Sibelius Park, home to one of Finland’s most recognizable statues of the composer, five benches – positioned far enough apart to avoid mutual interference – have been equipped with with sensors so that music is played when visitors sit on them. The music chosen is the popular set of five piano pieces, ‘The Trees’, Op. 75.
The Aeon Duo (Essi Kiiski, violin and Eduardo Andrade) will give a concert focusing on Sibelius’s music for violin for piano, plus the world première of a work inspired by Sibelius composed by Eduardo Andrade, at the Finnish Church in London on Thursday 26th March 2015 at 7 pm. The concert will be part of the official Sibelius 150 schedule of events and will be an exciting and innovative combination of music, photography and taste sensations.
Further details and information about discounts for Sibelius One members will be announced in January 2015.
A new play about Sibelius
by Antti Vihinen will be premièred
in Hämeenlinna in February 2015
‘Fateful connections’ is a beautiful term. For example, the German Jewish composer Gustav Mahler once met Jean Sibelius, who was in favour in Nazi Germany. They discussed music, not politics. There was a remarkable connection between the two composers’ fates: both of them composed a vocal work about the death of a child. Sibelius’s piece, well-known to all Finns, was the choral song Sydämeni laulu (Song of my Heart); Mahler’s contribution was the Kindertotenlieder. In both cases, one of the composer’s children died shortly after the music was composed.
In Sibelius’s birth house in Hämeenlinna there is a drawing from Sibelius’s childhood. The Sibelius family is on an excursion; their mother is sheltering the children under parasols. High up in the sky is a hot air balloon, from the basket of which little Janne, Finland’s future national composer Jean Sibelius, looks down and watches the world going by.
A talented person affects and leaves traces in his environment. For an artist the process of composition may be a solitary experience, but the finished result becomes our common property, art that defines the people, and a measure of national self-esteem. The play Sibelius – Fateful Connections also explores Jean Sibelius’s significance for Finnishness. What happens to a person when he changes from being himself to being a monument? What would Sibelius say to poets such as Pentti Saarikoski or Arto Melleri? What would his dream of Mannerheim be like? How can someone who listens to the music of the spheres get by? What are the dreams of a passionate person? How can he survive in a world that has fallen into absurdity?
Antti Vihinen’s multi-layered, opulent dream play Sibelius – Fateful Connections presents a wild fresco of an exceptional creative individual’s life based on the traces he left in the world.
First performance 12.2.2015
Hämeenlinna Theatre (in Finnish)
Script Antti Vihinen Direction Sakari Kirjavainen Starring Ilkka Heiskanen, Katariina Kuisma-Syrjä, Matti Nurminen, Tommi Rantamäki, Mikko Töyssy, Lasse Sandberg, Turkka Mastomäki, Birgitta Putkonen, Maiju-Riina Huttunen
The orchestra issued the following statement: ‘Die Wiener Philharmoniker bedauern außerordentlich, das bereits bekanntgegebene Programm des Neujahrskonzertes 2015 abändern zu müssen. Das im Gedenken an den 150. Geburtstag von Jean Sibelius angesetzte Werk Valse triste wird wegen unannehmbarer Forderungen des Verlages im Rahmen des Neujahrskonzertes 2015 nicht aufgeführt werden.’ [‘The Vienna Philharmonic Orchestra greatly regrets that the previously announced programme for the New Year’s Concert 2015 must be changed. Valse triste, which had been included to mark the 150th anniversary of Jean Sibelius’s birth, will not be performed in the context of the 2015 New Year’s Concert owing to unacceptable demands from the publisher.’]
Breitkopf & Härtel deeply regrets the decision of the Vienna Philharmonic Orchestra to withdraw Jean Sibelius’ “Valse triste” from the program of its 2015 New Year’s Concert.
As grounds for its withdrawal, the orchestra claims that the publisher is demanding excessively high fees. This is not the case. On the contrary, Breitkopf & Härtel’s initial offer was moderate already. Another substantial reduction of the fees, taking into consideration the special cultural aspect of the inauguration of the Sibelius Year in the framework of the New Year’s Concert, still failed to bring about an agreement.
The sole issue for the negotiation was the license fee claimed by the publisher for the film rights (synchronization rights). Only the broadcasting and public performance rights (via radio, television, etc.) of “Valse triste” are protected by performing rights organization (e.g. GEMA): they thus were not an issue in Breitkopf & Härtel’s contract offer. There were also no hire fees involved, since the sheet music to “Valse triste” is exclusively available as sales material and is subject to controlled prices in Germany and Austria.
Jean Sibelius would have deserved a “front row seat” at the concert marking the beginning of the year in which his 150th birthday will be celebrated far and wide.
The musical commentator Norman Lebrecht observed: ‘The amount requested by the publisher was 4,000 Euros. The Vienna Phil refused to pay more than 2,000. The orch recently trousered a million dollars from Sibelius’s near-compatriot… the Birgit Nilsson Foundation. Have they no shame? Absolutely none.’
The English edition of the Sibelius 150 Jubilee calendar has now been now released. The calendar is illustrated with pictures by the photographer Taneli Eskola, as well as with archive photographs from Jean Sibelius’s life. Each month commemorates important events through the decades of the Sibelius family life. The calendar also lists notable Sibelius concerts worldwide in 2015.
Sibelius’s birthplace museum in Hämeenlinna will open for extended hours until the end of 2015. During the winter months it will be open from 12 noon until 4 pm; from May to August from 10 am until 4 pm – every day including Mondays.
Sibelius’s birthplace is a modest Empire-style wooden house built in 1834 in the centre of Hämeenlinna. Here he spent the first three years of his life, although he lived at other addresses in Hämeenlinna until 1885. The house has been a museum since the 1960s and contains many Sibelius-related exhibits and items contemporary with the composer’s early years. The building is also a venue for chamber concerts.
Produced to accompany the major exhibition currently running at the Ateneum in Helsinki, this magnificent volume showcases the world of Jean Sibelius and his connections to visual art. Sibelius was an inspiration to many artists and he himself was surrounded by art in many ways.
Expert essays in the book explore the importance of Jean Sibelius from several angles, with a particular focus on image research. The lavishly illustrated book features artworks from the late 19th century to the 1960s by such famous names as Akseli Gallen-Kallela, Eero Järnefelt, Pekka Halonen, Tyko Sallinen, Wäinö Aaltonen and Eila Hiltunen.
During an unplanned break in transmission owing to a technical fault in the morning of 13th November 2014, Swedish Radio’s P1 channel used music from Sibelius’s incidental music to The Tempest to fill the gap until normal transmission could be resumed. Sibelius’s music did not, however, quite hit the spot, reports the broadcaster’s website: listeners found the music ‘funereal’ in character and assumed that a major figure had passed away.
‘We have had many reactions… both internally and reactions from our listeners’, says Michael Österlund of Swedish Radio. ‘Many people perceived the music as fateful, and thought that it was the Radio’s funeral music to be played if the King, Princess Victoria or the Prime Minister died.’
During the six-minute break in transmission, Sibelius’s music was only played for a short while; otherwise there was silence.
Swedish Radio has not announced which music would be played in the event the actual death of a constitutional figure in order to avoid the risk of hoax broadcasts.
A new recording made on Sibelius’s own piano at Ainola will be released by BIS Records in early 2015, marking both the 150th anniversary of Sibelius’s birth and the 100th anniversary of the piano itself. The Steinway instrument heard on this recording arrived at Ainola in 1915, as a gift paid for by 144 of Sibelius’s grateful supporters on the occasion of his fiftieth birthday.
Performed by Folke Gräsbeck, the programme contains a wide-ranging selection of Sibelius’s piano music, familiar and unfamiliar, including also some of the composer’s own piano transcriptions of his orchestral music. Folke Gräsbeck’s credentials as a Sibelius interpreter are second to none: he participates on 24 discs in the complete Sibelius Edition project for BIS Records including the complete solo piano music (10 CDs) and discs of songs, works with solo instruments and with choir. He also gave the first piano recital at the Sibelius Hall in Lahti in 2000, with a programme consisting exclusively of Sibelius piano music premières. His repertoire also includes Sibelius’s Piano Quintet, four piano quartets and five piano trios. Gräsbeck has performed 397 out of Sibelius’s total of approx. 600 works, plus fragments, and has given the first performances of 90 of them. This new recording was made in May 2014.
The Sibelius & Korpo festival, in the Turku archipelago, will take place on 17th–19th July 2015. Held in the small island village where Sibelius spent the summer holiday in 1887, this gem of a festival features concerts in the village’s 13th-century stone church and at Korpo gård, where Sibelius himself made music together with his family and friends in 1887.
Musicians at the 2015 festival include the Flinders Quartet from Melbourne, Australia, leading singers including Hedvig Paulig, Monica Groop and Gabriel Suovanen, the choirs Brahe Djäknar (male voices) and Florakören (women’s voices), and the pianist Folke Gräsbeck, who is also artistic director of the festival. This year’s festival is devoted exclusively to works by Sibelius, including a wide selection of his string quartet music, the Piano Quintet in G minor and the opera Jungfrun i tornet (The Maiden in the Tower) in the composer’s own version with for soloists, choir and piano.
Further information will be posted later. If you are interested in attending the festival please contact firstname.lastname@example.org.